Scenic Painting
& Artistry
Perspective
Here we have flats Wilson designed and painted utilizing Brunelleschi's one point linear perspective, with the point being roughly three feet off the ground upstage--center. To learn more about Cryptid Conspiracies: The Lost Episode, click here.
Lighting Design by Audrey Robinson
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Costume Design by Abby Sledd
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Directed by Olivia Lecomnte
The bricks you see here were painted as part of The University of Montevallo Theatre's production of Little Shop of Horrors for which Wilson was scenic charge artist and assistant scenic designer. You can learn more about my involvement in little shop here.
Scenic Design by Adam Spencer, Lighting Design by Caleb Stroman, Fake Gum by Props Master Reagan Parrot, Technical Direction by Brian Seachrist.
Stones
UV Reactive Paint
Wilson believes that aside from the obvious wow factor brought about by the glowing aesthetics of ultra violet light, that the real potential of UV exists in the many ways that one can take
advantage of blacklight's ability to completely change the viewer's perception of an objects perceived shape and color, and to create magic by doing so.
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Featured at the top you'll see where the words of a prophecy switch to its second verse in Cryptid Conspiracies, while at the bottom Triton's Court switches to Ursula's Lair featured in Spain Park High School's production of Disney's The Little Mermaid (this was not only a fun way to represent the foil of Triton and Ursula, but helped minimize scene transitions and blackouts, as the corresponding scenes often occured back to back). Wilson acted as scenic designer and technical director for both shows.
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Distressing/Grime
With just a sponge, chip brush, spray bottle, paint, and water, Wilson can imitate mold, stains, dirt, water damage, mysterious grime, scratches/scuffs, cracks, and more!
Misc.
Wood Grain
