Stone and Brick
Various Textures of Florida Rep's Doubt
Scenic Design: Jim Hunter
Charge Artist: Julie McCracken​​
Technical Direction: Miranda White
Directed by: Chris Clavell i
Scenic Paints Intern: Wilson Dillard
The pulp-art stone was based in gray, and given a dark green overspray. With much lighter colors it was then scumbled diagonally, so as to only hit the high spots, and create a grout by preserving the original texture in the low spots.
As for the floor, the team began with a sponge scumble on various pieces of luan, shuffled, and then affixed to the turntable, and then given a glaze to add cohesion. One side was given a blue glaze and grout lines to look like old tiles, while the other kept its original color, and was given a circular grout that was found by measuring 10" intervals that would act as the various radiuses of a center point that would act as the anchor.
Concrete for Florida Rep's
The Rat Pack Lounge
Scenic Design: Jordan Moore
Charge Artist: Julie McCracken
Technical Director: Russ Skellinger
Director: Michael Marotta
Scenic Paints Intern: Wilson Dillard
Bricks For The University of Montevallo Theatre's Little Shop
Scenic Design: Adam Spencer
Asst. Scenic Design: Wilson Dillard
Charge Artist: Wilson Dillard
Lighting Design: Caleb Stroman
Props Master: Reagan Parrot
Technical Director: by Brian Seachrist.
The bricks you see here were painted as part of The University of Montevallo Theatre's production of Little Shop of Horrors for which Wilson was scenic charge artist and assistant scenic designer. You can learn more about his involvement in little shop here.
Florida Rep's
A Midsummer-
night's Dream
Scenic Design: Nick Lease
Charge Artist: Julie McCracken​​
Directed by: Dana Alvarez
Scenic Paints Intern: Wilson Dillard
For Florida Reps touring TYA show, A Midsummer Night's Dream, Wilson was tasked with turning two giant lumps of spray foam into two small boulders. He began by giving the stones their shape with a box cutter and paper machete made from glue and paper towels. He then used
used sponges, spattering techniques and black paint with shark grip to give the stones their texture. Finally, he used a dark wash to create false shadows to add depth and assist with lighting.
